What
is the sound of an angel’s voice…
What
is the Sound of an Angel's Voice... is an homage
to three authors, Annie Dillard, Maya Angelou and
Alice Walker, whose works have inspired me and so
many others over the years. The score is divided into
three sections, each a portrait of one of the authors.
Each section is accompanied by an excerpt from the
author's work, given in the score and below in the
order which governs the musical construction. These
portraits are intended to be free musical expressions
of both the writing and the writer. The excerpts were
chosen by me as representative of the unique gifts
of each author, and as part of an overall message
which I wish to convey – a message expressed
so much more beautifully by these women than I could
have ever dreamed. Ideas of uncertainty, upheaval,
and hope course through the music, much as they do
in the excerpts, and thus serve as dramatic pinions
for the work.
Written
at the time of the 1993 Los Angeles riots, the score
carries the following dedication:
To
Annie Dillard, Maya Angelou, and Alice Walker
and The City of Los Angeles
The dedication to the city and the title, What is
the sound of an angel’s voice…, reflect
my own thought process during this very difficult
time. It is, I think, understood that our true nature
as human beings comes out most readily during times
of crisis, for it is then that we either rise to the
occasion or sink to our lowest common denominator.
Los Angeles is a multi-cultural, multi-faceted city
which I see as one of this country's many proving
grounds -- test cases, if you will -- for our survival
as a unified society, the key to which, I believe,
is an embracing of difference. That being said, with
the many fundamental cultural or religious differences
that separate us, the concept of angels, i.e., benevolent
beings that step in and avert tragedy or spur us on
to greatness, seems to be virtually universally accepted.
Or, at least, universally inoffensive. It occurs to
me, if there are angels, where, when, and how do they
work? Are they, in fact, these ethereal beings that
whisper to us to be better, to take the right path?
Or can they, perhaps, exist on a much more ordinary
plane… as the best friend, the artist that makes
us think, or the poet that makes us cry?
Musically,
the work is based on a single melodic fragment, heard
in the violins in the first few moments of the piece.
This melody undergoes constant transformation through
the three sections; initially plaintive and questioning,
it builds restlessly to a powerful intensity before
it is lifted into stillness and reassurance.
What
is the Sound of an Angel's Voice... was commissioned
by the Whitaker Fund and the Women's Philharmonic,
Joann Faletta, conductor. The work was premiered in
1994 in San Francisco, and was nominated by that organization
for the 1994 Pulitzer Prize in Music.
E.M.
I.
Annie Dillard
It
is difficult to undo our own damage, and to recall
to our presence that which we have asked to leave.
It is hard to desecrate a grove and change your mind.
The very holy mountains are keeping mum. We doused
the burning bush and cannot rekindle it; we are lighting
matches in vain under every green tree. Did the wind
use to cry, and hills shout forth praise? Now speech
has perished from among the lifeless things of earth,
and living things say very little to very few. Birds
may crank out sweet gibberish and monkeys howl; horses
neigh and pigs say, as you recall, oink oink. But
so do cobbles rumble when a wave recedes, and thunders
break the air in lightning storms. I call these noises
silence. It could be that wherever there is motion
there is noise, as when a whale breaches and smacks
the water — and wherever there is stillness
there is the still small voice, God's speaking from
the whirlwind, nature's old song and dance, the show
we drove from town. At any rate, now it is all we
can do, and among our best efforts, to try to teach
a given human language, English, to chimpanzees.
In
the forties an American psychologist and his wife
tried to teach a chimp actually to speak. At the end
of three years the creature could pronounce, in a
hoarse whisper, the words "mama," "papa,"
and "cup." After another three years of
training she could whisper, with difficulty, still
only "mama," "papa," and "cup."
The more recent successes at teaching chimpanzees
American Sign Language are well known. Just the other
day a chimp told us, if we can believe that we truly
share a vocabulary, that she had been sad in the morning.
I'm sorry we asked.
What
have we been doing all these centuries but trying
to call God back to the mountain, or, failing that,
raise a peep out of anything that isn't us? What is
the difference between a cathedral and a physics lab?
Are not they both saying: Hello? We spy on whales
and on interstellar radio objects; we starve ourselves
and pray till we're blue.
"Teaching
a Stone to Talk" (excerpt)
from Teaching a Stone to Talk; expeditions and encounters
Copyright 1982 by Annie Dillard. Reprinted by permission
of Russell & Volkening.
II.
Maya Angelou
Oaks, massive with the memory of Lynch
Perversions, bend to grip my knees and rustle
A moan for our burned visions
The trees may weep. I must stiffen my back
Quieten my face and teach a lesson in Grace.
from
"Now Sheba Sings the Song"
Copyright © 1987 by Maya Angelou. Used by permission
of Dial Books for Young Readers, a division of
Penguin Books USA, Inc.
III.
Alice Walker
Rest
in peace.
The meaning of your lives
is still
unfolding.
Rest
in peace.
In me
the meaning of your lives
is still
unfolding.
Rest in peace, in me.
The meaning of your lives
is still
unfolding.
Rest.
In me
the meaning of your lives
is still
unfolding.
Rest.
In peace
in me
the meaning
of our lives
is still
unfolding.
Rest.
"Rest
in Peace" from Horses Make
a Landscape Look More Beautiful
Copyright © 1984 by Alice Walker. Reprinted by
permission of
Harcourt Brace & Co.